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THE
CHARACTERS
JUNE
...Wolves in sheep's clothing. The woods are full of wolves...
The Tell marks the introduction of some of the most arresting characters
to be seen in an American film in some time. Spouting cryptic, outrageous dialogue and
imbuing the dreamy sequences with a sense of seriocomic mystery, these are people who
will haunt you long after the lights have come up.
HANNAH PILGRIM - An ace journalist in hiding following the grim proceedings of a
high-profile mob trial, Hannah finds herself trapped and isolated both
physically and mentally in a shabby apartment in a decaying section of
a nameless city. Stricken with agoraphobia, Hannah passes the dreary
days by eavesdropping on the tenants of the building, and gradually
becomes convinced that a menacing plot is taking place when a man
appears carrying a strange and dangerous parcel. . . .
ADRIAN TINDLE — A timid man in the throes of a mid-life crisis, Tindle has
involved himself in a scheme involving an esoteric “agency” in order to
prove his affection for and buy his way into the heart of a floozy
girlfriend. But slowly Tindle comes to realize he is not safe at the
rendezvous point for his “mission,” and that the courier he’s
desperately waiting for is taking far too long to arrive. . . .
MIKE MANNEQUIN — Possessing an ethereal charisma, Mannequin heads a band of
bizarre miscreants. But his overt rage and increasingly tenuous
command of respect with the group soon gives way to the truth—that
his methodical mind has been devoured by madness and that Michael
Mannequin is far more dangerous than any of his followers had
realized. . . .
CARMINE ROSETTI — Glib, perhaps too glib for his own good, Rosetti is a cardsharp
and a thief, a master of manipulation with the scruples of a
second-rate salesman. A spokesperson of the trade of thievery and
lies, he finds his hubris compromising his position within Mannequin’s
team, as a strange and violent series of events lead him to suspect he
is at the center of Mannequin’s next scheme. . . .
CYD CHANNING — Perhaps the most enigmatic member of the rogues’ gallery, Cyd plies
her trade as a manipulator with such grace and ease that one never knows
what her actual personality might be; everything she says and does is
simultaneously part of a brilliant role-playing performance and a
penetrating dose of the truth. Like the shapeshifters of world mythology,
she cannot be trusted, although she may very well be pointing toward
the only way out. . . .
GABRIEL MONK — A young street hustler suffering from schizophrenia, Monk lives in a
childish world, oblivious to the dangerous game he’s playing under the
tutelage of Rosetti and Mannequin. . . .